Coding:
My practice is based on the movement of thoughts. Rather than seeing the photograph as an isolated entity, I pay attention to how to alienate them from the original context and re-link them to one another. Things are in an unstable or the opposite situation: old photographs are cropped, daily found objects become art, videos stop playing. Just as code, photography to me is a method of converting what I thought into a form, oftentimes secret or manipulated, for inviting the search for patterns and provoking a reductive way of seeing in this complex world.